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	<title>Platform 101_patternofinfinity </title>
	<link>https://platform101thewrong.cargo.site</link>
	<description>Platform 101_patternofinfinity </description>
	<pubDate>Sun, 14 Sep 2025 11:24:29 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://platform101thewrong.cargo.site/Index</link>

		<pubDate>Sun, 14 Sep 2025 11:24:24 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<title>AMIR MAZHARI </title>
				
		<link>https://platform101thewrong.cargo.site/AMIR-MAZHARI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:25 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>AMIR MAZHARI&#38;nbsp;
LIMINAL SPACES
@amirrmazhariThis work is an attempt to explore the liminal space between analog and digital domain through analog-textured electronic soundscapes with the fusion of personal analog photographs reimagined through digital motion, this work originates at the intersection of memory,motion and the elements of life itself such as fire , water , soil and the wind.



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		<title>AREZOU RAMEZANI </title>
				
		<link>https://platform101thewrong.cargo.site/AREZOU-RAMEZANI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:25 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>AREZOU RAMEZANI 
BREATH BETWEEN WALLS
@arezouart
This video work reflects the many forms of aggression women endure—physical, psychological, visible, and invisible. Through breathing flowers, an intensely feminine presence emerges: fragile yet persistent, wounded yet alive. Pulled apart, displaced, and smashed, traces of blood surface not as spectacle but as symbol—a quiet record of violence carried within the body.


The violence is often subtle and repetitive, internalised rather than declared. Fragmentation becomes its language. Cuts interrupt continuity, echoing how harm fractures safety, memory, and selfhood.


Yet the flowers do not disappear. They inhale, exhale, and continue. Breath becomes a quiet insistence—a rhythm that resists erasure. What remains does not undo damage, but moves through it, like life finding form again within broken ground.


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		<title>ARASH MASOOM</title>
				
		<link>https://platform101thewrong.cargo.site/ARASH-MASOOM</link>

		<pubDate>Sun, 14 Sep 2025 11:24:26 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>ARASH MASOOM
GODDESS OF VICTORY&#38;nbsp;
@arashmasoom_

Victory is a multifaceted concept, often symbolized by figures of triumph and conquest. This video art piece seeks to explore the complex nature of victory, transcending its conventional associations with war and competition. By reimagining the goddess of victory, I aim to challenge traditional narratives and invite contemplation on the nuanced meanings of triumph, resilience, and perseverance.

Through a combination of abstract visuals, symbolic imagery, and evocative soundscapes, I will create a cinematic experience that invites the viewer to consider the personal and collective journeys that culminate in victory. The goddess will not be a static figure of triumph, but a dynamic entity evolving and adapting to the ever-changing landscape of human experience.


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		<title>ARYA MEHR</title>
				
		<link>https://platform101thewrong.cargo.site/ARYA-MEHR</link>

		<pubDate>Sun, 14 Sep 2025 11:24:26 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>Arya Mehr

Mars











@_arya.mehr_



















The Moon's continuous and hidden changes take place far from human eyes.

The Moon absorbs all the fluctuations around it in an extreme way and flexibly resolves them within itself.

itself.

The abstract shapes in this video are the result of an amateur phenomenological study of the

Moon's hidden changes.

The Moon is a dream utopia for all humans

A utopia that is bright and soft on the outside but is vibrant and violent on the inside.








 &#38;nbsp; &#38;nbsp; &#38;nbsp;


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;





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		<title>BAHAR MOHAMMADI MANESH  </title>
				
		<link>https://platform101thewrong.cargo.site/BAHAR-MOHAMMADI-MANESH</link>

		<pubDate>Sun, 14 Sep 2025 11:24:27 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>Bahar Mohammadi Manesh 

Texture&#38;nbsp;
@Manesh.baahaar




This work emerged from a personal impulse—my enduring

fascination with details often overlooked: the subtle presence of

hands, the fine lines of skin, the quiet, almost invisible movements that slip past attention. I have always been drawn to those fleeting moments when the body—most vividly, the hand—transcends mere function and transforms into something visible, autonomous, and at times unfamiliar.

In Texture, I chose the hand as the central focus. Through extreme

close-ups, stark contrasts, and black-and-white framing, I sought to distance the image from the body’s familiar form, so that at times it becomes unrecognisable as human flesh. The hand mutates into something foreign— altered, estranged, or undefined. This dislocation of form moves the work away from simple representation, opening instead a space for perception, disorientation, and discovery.

My intention is to create a moment of renewed seeing—a chance to

dwell on the overlooked and to encounter the human body anew each

time.



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		<title>MOHAMMAD ALI FAMORI </title>
				
		<link>https://platform101thewrong.cargo.site/MOHAMMAD-ALI-FAMORI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:27 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>MOHAMMAD ALI FAMORI
ARCHONS
@designfam&#38;nbsp;This video work delves into the enigmatic realm of the Archons—celestial entities from ancient mysticism, depicted as divine emissaries bound to the seven heavens. Their primary role is to enforce the soul's imprisonment within the material realm and guard the celestial spheres.

The visual core of the piece is a dense, white point cloud set against a black ground, constituting an intricate and granular universe of dust, star fields, and sharp-edged dunes. The work is generated using music-based code algorithms and artificial intelligence, which produce and simulate these complex visual landscapes.

A stark, leaden light—reminiscent of the cold, isolated atmosphere of an "exiled heaven"—illuminates each particle. This radiation transforms the particles into the sublime and impenetrable walls of a crystalline cage.

A slender, luminous filament, representing the soul, embarks on a journey through this perpetually shifting domain. Yet, its path is relentlessly interrupted, scattered, and ultimately reabsorbed by the immutable geometry of these divine agents.


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		<title>NAGHMEH JAHANI</title>
				
		<link>https://platform101thewrong.cargo.site/NAGHMEH-JAHANI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:28 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>NAGHMEH JAHANI
INNER TANGLE &#38;nbsp;
@naghmehjahani


	
		
		
	
	
		
			
				
					
						 In my mind, there is a tangled thread — a knot with no beginning and no end. The strands of thought coil endlessly upon themselves, like a mind striving to unravel its own fabric, only to sink deeper within each attempt.

In this endless cycle, the boundary between silence and noise fades away. Fractal forms mirror the structure of the mind — complex, self-repeating, and restless. Each knot bears the trace of fear, each branch a mark of memory, and every fibre an extension of thoughts and emotions that do not dissolve in time but persist in presence.

This video is an experience of descending into the depths of the mind, where order and chaos, fear and hope, motion and stillness, love and hatred continuously form and collapse. The viewer becomes not merely an observer but a participant in this flow, as if, within this woven structure, there is no way out.


					
				
			
		
	


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	<item>
		<title>REZA FAMORI </title>
				
		<link>https://platform101thewrong.cargo.site/REZA-FAMORI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:28 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

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		<description>REZA FAMORI&#38;nbsp;
ENTROPY
@rezafamm
In entropy, form slips away, and the microscopic world twists into fleeting chaos. What is seen vanishes as it appears, revealing hidden orders within disorder. Here, entropy is not decay—it is a space where meaning is reborn through collapse and reconstruction.



</description>
		
	</item>
		
		
	<item>
		<title>NARGES ASTARAKI</title>
				
		<link>https://platform101thewrong.cargo.site/NARGES-ASTARAKI</link>

		<pubDate>Sun, 14 Sep 2025 11:24:29 +0000</pubDate>

		<dc:creator>Platform 101_patternofinfinity </dc:creator>

		<guid isPermaLink="true">https://platform101thewrong.cargo.site/NARGES-ASTARAKI</guid>

		<description>Narges Astaraki













The Roots of Eternity@_narges_astaraki


















Life is an infinite cycle that begins with the earth and ends with the earth. The element of earth, as the source of life in the world, symbolizes life-giving and fertility.


Just as it initiates existence and growth in nature, in the recurring cycle of life, it ultimately provides a foundation for death and the rebirth of phenomena. This concept


in the essence of earth reflects the meaning of fractals; the recurring patterns and infinite renewal within it are clearly evident in the geometry of creation. Earth is not


only the fundamental element of life but also a sign of continuity and persistence of life at all levels of existence. In this regard, it can be said that earth, with all its


characteristics, embodies a deep and complex relationship between life and death, reminding us that every end is a precursor to a new beginning.

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